The DP would likely end up stopping the lens down to T4 or T5.6 anyway, and all the extra aperture and glass would go to waste. A particular lens will give different fields of view if it’s used with cameras with differing sensor size. We also use third-party cookies that help us analyze and understand how you use this website. If you happen to own Super-16 prime lenses you will be able to use them for Super-16 film and similarly sized sensors, and any format smaller than that (8mm film, 2/3”, or on many of the “cropped sensor” formats available on cameras like the ARRI Amira, Canon C300 MKII, Sony F5, F55, FS7, Panasonic Varicam LT and pretty much any RED camera). and has a maximum aperture of f1.7…wow. With the release of more high-end video cameras with larger sensors like the ARRI Alexa LF, Panavision DXL2, RED MONSTRO, and the Sony Venice and more recently with the Sony FX-9, Canon C500 II, Sony A7S Mk III & Panasonic S1H we have more choices than ever when it comes to formats and lens options. So as amazing and beautiful as the Leica Thalia lenses are on an Alexa 65, they might not be the best choice for projects using smaller sensors. When used on a camera with a Full Frame sensor we are able to see the lens’ entire image circle as well as the rectangular cropped portion which will be end up being the final image. There is also practicality to think about. We use this cookies to provide our services and to make the website work as well as possible. The increasing number of sensor sizes and lens options, has made things more complicated than ever especially with all the lens adapters available and cameras with interchangeable lens mounts. Therefore a 25…is a 25…is a 25. In the images below, the same scene was shot 3 times with the same camera, with the same Full Frame sensor. If you want to go the other direction, and see what focal length you need on your Nikon D810 to give you the same field of when you use your Nikon 24mm f1.4 on your Nikon D500, just multiply 24mm x 1.5, which gives you 36mm. That means these lenses will also cover any sensor or film stock that is smaller than the Alexa 65 (which is just about every current camera and format). For example photographers and videographers accustomed to the field of view they see when looking through a 50mm lens mounted on a Full Frame Nikon D810 (“FX” format in Nikon speak) might wonder what equivalent focal length will give them the same field of view on a Nikon D500 which has a smaller “DX” format sensor (which is similar in size to APS-C and Super-35 sized sensors). In larger formats like Super-35, Full Frame or Alexa 65, depth of field is much shallower. What’s the style of the project? They were designed to cover Super-35mm film, so they can’t cover larger formats like Full Frame or Alexa 65, but they can be used on any smaller formats, like Micro Four Thirds, Super-16, 2/3” etc. A lens’ image circle refers to the light or image projected out of the rear side of a lens, for our purposes onto a camera’s sensor or film plane. By that I mean a 50mm lens designed to cover a camera that shoots 16mm film, “sees” the world in the same way as a 50mm lens designed to cover a Full Frame digital camera. It is mandatory to procure user consent prior to running these cookies on your website. This category only includes cookies that ensures basic functionalities and security features of the website. The only difference is each lens’ image circle and therefore how much of the room you are able to see. Leica just announced their new “Thalia” line of primes based on Leica medium format lenses originally designed to cover a huge 60mm x 60mm film format. For digital sensors, according to international standards, it’s accepted to use the term “Number of Recorded Pixels” or “Number of Effective Pixels.” This is the number of individual pixels on a given sensor that contribute to the final image. Field of view or more accurately stated, “horizontal angle of view” is a measurement in degrees along the horizontal axis to determine just how much of the world you will see when looking through a lens. Foregrounds and backgrounds appear more out of focus relative to the subject, which separates the subject from the background, and gives the image an overall more three-dimensional feel. “Crop Factor” is really just another mathematical way of explaining changes in “Field of View” caused by using cameras with different sensor sizes. A lens’ image circle determines what sensors it can cover. Field of view is determined by the focal length of the lens you are using as well as the sensor size of your camera. It would also be very difficult to actually design and build. The diameter of the image circle is measured in mm. To build a lens that could cover that massive 101x zoom range and cover a much larger sensor like that of a Super-35mm camera like a Canon Canon C300 or Sony FS7 at f1.7 would be the size of a Civil War era cannon and probably weigh as much. All these formats need lenses, and the lens market is bigger and more confusing than ever. Another challenge in designing these ultimate lenses would be cost. Compact camera sensors vary in size from 1/3inch to 1/1.7inch or larger. Physics is one of the big reasons why we will likely never see a lens set like that. So as the number of pixels grew, so did the size of the sensor. Connecting a lens tube behind the lens will move the lens farther away from the camera’s film plane or digital sensor, which allows the lens to focus much closer than … Read more, Introduction Film making has always had ‘pinch points’ of innovation, some of them more successful than others and in recent history more often than not driven by the retail thrust … Read more, Your email address will not be published. Make sure you understand the different types of cameras and types of lenses and how those factors combine with your camera's sensor size. Blog Will you be in a low-light situation? Motion picture film formats are fairly straight forward: 8mm, 16mm, 35mm, 70mm. As exaggerated as the above example is, it’s a good demonstration of why we benefit from having different sensor sizes and film formats. For instance 4K represents roughly 4,000 pixels in the horizontal axis of a 4K image sensor. Do you need primes, zooms, or both? ARRI Alexa 65 on the set of Rogue One: A Star Wars Story. The Creative and Technical Differences between Full Frame and S-35. These lenses can be used on the giant image sensor found in the ARRI Alexa 65. It is very helpful to know a lens’ image circle, because if you know the image circle, you know how large of a sensor a lens can cover. There are many formats to choose from. However, it more than likely will not cover larger sensors like the ones in Full Frame cameras, and even larger sensors like the one in the ARRI Alexa 65. Sensor size is the physical size (area, not number of pixels) of a camera’s image sensor, usually measured in mm width x height. On the flip side, when using larger formats, you are using longer focal lengths to achieve the same field of view, which means a more natural perspective that more closely resembles the field of view of our own eye-sight. For instance 1920 x 1080 is the standard pixel count for HD cameras. The next time you go camera shopping, remember that the sensor size is a major feature. However for a run-and-gun documentary, shooting on a smaller format like Super-16, or a comparable digital format like shooting 2K “center crop” on a Sony F55, shooting 2K on a RED Epic Dragon, or using a Blackmagic Pocket Cinema Camera, can result in a smaller, lighter camera, smaller lenses, typically faster lenses that need less light, cheaper rentals and possibly even a smaller crew, needing less set-up time. After RED released their Helium sensor, it couldn’t even be applied to RED cameras any more! This article is written mainly for those who want to know the very simple concepts which allow camera operators to manipulate the Depth of Field in order to make them look more cinematic. So to get roughly the same field of view on your Nikon D810, use a 35mm lens. The sensor size of mobile camera phones is variable in size but a 1/2.55″ sensor (used by the iPhone 11) is on the larger end of the spectrum.. 1-inch camera sensors are the next size up and are used in most compact cameras. For instance in order for a lens to cover the entire sensor of a Full Frame camera like a Canon 5D or the Sony Venice, it would need an image circle with a diameter of 43mm. The individual glass elements would be enormous and would be difficult to match the tolerances achievable with smaller format high-speed lenses. The cost to design and manufacture such a lens would make the resulting lens so expensive, no buyer outside of NASA could afford to own it. When RED went from their original 4K sensor, to a 5K sensor and then a 6K sensor, there was a constant relationship between pixel count and sensor size.
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