Roberta Peters always did it flawlessly and was an excellent actress. Few sopranos can sing this aria regularly without damaging their voices. in Mozart’s Requiem). Spilled Blood on the Footsteps of My Mind (Revisited), List of Minor Characters from Season Four, https://southpark.fandom.com/wiki/Der_Hölle_Rache?oldid=393183. The orchestral introduction consists only of a forte d minor chord of the whole orchestra, which defines the gloomy atmosphere from the very beginning. Verlassen sei auf ewig, The mother swears herself , she imposes nothing. For the same reasons as yourself. If you wish to differ in your interpretation, please create your own separate translation and then readers can decide for themselves which translation they prefer. This aria is often referred to as “Revenge aria”. Fühlt nicht durch dich Sarastro Todesschmerzen, So bist du meine tochter nimmermehr. It makes her seem more strident and evil, whereas a warm, beautiful sound would be more sympathetic than the character warrants. Gotta hand it to Erika Miklósa, for doing it in a body suit and I think that she might be the best currently performing this role. The Staccatos blaze up dramatically like no other interpretation. Translation of 'Der Hölle Rache kocht' by Wolfgang Amadeus Mozart from German to English (Version #2) Deutsch English Español Français Hungarian Italiano Nederlands Polski Português (Brasil) Română Svenska Türkçe Ελληνικά Български Русский Српски العربية فارسی 日本語 한국어 The title ‘Der Hölle Rache Kocht in Meinem Herzen’ translates to ‘The Vengeance of Hell boils in my heart’, and the piece exposes the Queen of the Night’s real personality, of an evil power-hungry ruler who uses violence to enhance her supremacy. After finally arriving at the Romanian music school, Kenny sings in front of a large audience. I have such mixed feelings about Damrau. Sign in to disable ALL ads. I think there is more tonal clarity in Gruberova's performance, and the voice is more gracious to the ear. Oh my god. Sarastro wird erblassen! The lines "Hört ihr Rachegötter, hört der Mutter Schwur" imposes nothing, but affirms that the bonds between mother and daughter will be torned if the daugther does not kill Sarastro. She is phenomenal onstage and a gracious and charming presence off (I waited her out one night with the rest of her adoring and occasionally creepy fans). Disowned may you be forever, Abandoned may you be forever, Destroyed be forever All the bonds of nature, If not through you Sarastro becomes pale! The singer of the premiere was Mozart’s sister-in-law Josepha Hofer. Der Hölle Rache (Revenge aria) (3) – Popp. Here is a list of video links collected from comments that redditors have made in response to this submission: I'm a just a poor boy from a 3rd world country (easy come, easy go) and I can't afford to go overseas to watch them live. As I say in the footnote "the translation as "oath" may be considered more accessible". That explanation has already been provided to you in the preceding post; for your convenience, here it is again -. Even more so, this role is specifically written for a high coloratura soprano who should easily have agility and flexibility; if the F is there, the rest is easy. Mother swears that the bonds will be torn ("shattered" as you translate) between mother and daughter. I've been trying to find it again for almost a year. The pitch, however, was transposed downwards. Edita Gruberova is a technique monster but often with this role, wildly inconsistent. I would agree that the term "vow" could be used as an alternative to "oath". That's /r/operabrowser, surprisingly enough. Btw: I did not add an other plot here but on my own contribution, Your request is gratuitous. This isn't Norma, Armida, or Roberto Devereux. We’ll start with perhaps the best version, the interpretation by Edda Moser from the Sawallisch recording. With the greatest respect, there is no interpretation involved. She sings the queen passionately and yet precisely. Christina Deutekom rocked it, she had incredible power for a coloratura. However, the key difference between those terms and the proposed term, "geas", is that a vow / oath one swears willingly oneself, whereas a geas is an obligation that is imposed upon one. I can't...I have no words. Karajan sucked with Lipp in 1950, rocked Karin Ott in 1970. DER HÖLLE RACHE – the revenge aria from the opera die Zauberflöt... https://opera-inside.com/wp-content/uploads/2019/05/Opera-Inside-die-Zauberflöte-Mozart.png, https://opera-inside.com/wp-content/uploads/2019/03/opera-inside-wp.png, DER HÖLLE RACHE - the revenge aria from the opera die Zauberflöte. I said I’d like to take the second one. Der Hölle Rache kocht in meinem Herzen, Tod und Verzweiflung flammet um mich her! "Der Hölle Rache" is a song from Mozart's opera, The Magic Flute. Looks like you're using new Reddit on an old browser. I have never been able to figure out the massive appeal of this aria. Coloraturas hate this role. Der Hölle Rache kocht in meinem Herzen, Tod und Verzweiflung flammet um mich her! In the excited recitative-like beginning, the queen gets straight to the point: her daughter is to kill Sarastro. But--the strength of her artistry doesn't lie in the beauty of her voice. Her "Der Holle Rache" is just sloppy, on top of being transposed down. It is said that Hofer had a particularly agile voice with a pronounced high register. See Also: List of Songs | List of Minor Characters from Season Four | Season Four. I'm sure there are many words in old English that would give more exact definitions of many things, but even the rules of this website favor language that is easy to understand. Der Hölle Rache kocht in meinem Herzen, "Der Hölle Rache kocht in meinem Herzen" (English: Hell's vengeance boils in my heart) is an aria for the Queen of the Night in Mozart's opera The Magic Flute (German: Die Zauberflöte). But I'm surprised no one has mentioned Dessay yet. And I've always found her super high notes to be more connected than many other sopranos who sing such high repertoire. She gives Pamina a dagger, she orders her to kill Sarastro with that dagger and she threatens to disown her daughter if she does not fulfil the obligation. It gives the impression that Schwur is some obscure, rarely used German word when it isn't. She doesn't take the high section too fast or too slow, and she looks like she has fun while doing it. Rita Streich may have been the prettiest rendition. She tells Pamina that her deceased husband has handed over the Sun Circle to Sarastro and he thus received power. This role earned her the nickname “Queen of Coloratura”. My favorite is Lucia Popp, but that's just a matter of opinion. New comments cannot be posted and votes cannot be cast. The site may not work properly if you don't, If you do not update your browser, we suggest you visit, Press J to jump to the feed. The role of Königin der Nacht is written for a dramatic coloratura soprano. The plot of the Magic Flute includes the scene in which the Queen of the Night tries to impose this obligation upon her daughter, Pamina, and not upon herself. Verstoßen sei auf ewig, Verlassen sei auf ewig, Zertrümmert sei’n auf ewig Alle Bande der Natur, Wenn nicht durch dich Sarastro wird erblassen! Edda Moser. "Der Hölle Rache kocht in meinem Herzen" ("Hell's vengeance boils in my heart"), commonly abbreviated "Der Hölle Rache" and also referred as "Queen of the Night's Aria", is a song from the 1791 opera The Magic Flute. Read Interesting facts and hear great YouTube Videos about the famous Aria “DER HÖLLE RACHE”. Asking you because you seem to have knowledge that I lack. And as last Natalie Dessay at breathtaking speed, which increases the madness even more. I've NEVER heard that recording Florence Foster Jenkins. That said, very different voices here. Press question mark to learn the rest of the keyboard shortcuts, Here is Edita Gruberova, who IMO has comparable power and metallic/other timbral qualities to Damrau, Mozart - Die Zauberflöte - Ingmar Bergman - Trollflöjten - Aria of the Queen of the Night 1975, Maszella Holzapfel - Die Zauberflöte - Mozart 02, Dessay performs "Der Hölle Rache" from "Die Zauberflöte". Dessay's always were (that is, until she lost them). IMO. Episode: I have to disagree with you on your latter argument; from my knowledge, Sopranos dislike the role because it is simply - for lack of a better word - boring.
"The plot of the Magic Flute includes the scene in which the Queen of the Night tries to impose this obligation upon her daughter, Pamina, and not upon herself. So Mozart wrote her this aria in her throat. Her grasp of the coloratura, to my ears, is much more fluid. It is peppered with murderous difficulties and leads the voice to the outermost regions of the voice range. She's got a good set of crazy eyes. If Sarastro does not through you feel The pain of death, Then you will be my daughter nevermore. 7 years ago. We’ll start with perhaps the best version, the interpretation by Edda Moser from the Sawallisch recording. After finally arriving at the Romanian music school, Kenny sings in front of a large audience.
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