Auh in ōtlachpān niman conquīzquiya in ihhuitl, in īxillān ōquitlālicah, aoc tleh quittac. What seemed so perfect on a scaled drawing is just a wee bit off when faced with the actual , rather large canvas-56 by 40 inches. Auh in Cuahuitl ihcac niman ye ic motlalotitlehco, in quinōnōtzaz in Huitzilopochtli. As this is the season of Virgin Births, I have been working on holiday cards. Thus far 25 on this “Chinois” paper, still counting. Ye no ceppa quihuālilhuia in Huitzilopochtli, cān ye huītzeh? Those who slipped from his hands headed south, and that is why we beside the skull rack.”, Once more Huitzilopochtli spoke forth: united in their reasoning, to kill, to murder their mother—the brothers Following. 15 by 24″, Antichrist Ragdoll,2015 painted cotton rag-doll, about 17″ tall, Seven Deadly Sins, 2013, fired clay and painted modeling compound, approx. They’re here now, Coyolxauhqui in the vanguard!”. The sole of his Draw Huitzilopochtli The Hummingbird Warrior. Your email address will not be published. Auh ce pitzāhuac in īcxi īōpōchcopa, quipotōnih in īxocpal. Mount Coatepetl. “Reflection of a Harsh Super Ego” 2017 Mixed media: acrylic paint, recycled fabric, embroidery floss, feathers, IKEA mirror, fiber-fill. At that very moment, Coatlicue conceived. 56 by 33 by 9 inches. Proserpina, Archdiablesse, Princess of Evil Spirits. There was nothing they could do, no After notebooks of doodled ideas , oil sketches,elevated renderings and readings, I have begun fleshing out details. the Four Hundred Gods of the Southern Stars—he pursued them, hurled himself niman ye ic huih. They travelled bent beneath their My sanctimonious Abrahamic god the embodiment of the apostolic church, soon to be toppled ; do I have just a wee bit of vitriol for the god of Leviticus or what? Coatepec. She was about to be torn to shreds by her wrathful children, indignant by her so-called “immaculate conception”; but in a grand bit of theater, Huitzilopochtli swoops in fully armed and annihilates his siblings. Tehtēcpantihuih, tlatlamantihuih. Yamabushi Tengu have red skin and long noses, and are wiser, more powerful, and usually benevolent to mankind, neat so like the kappa drawing you drew in the yokai gallery, KOppa Tengu, not KAppa, despite being malevolent Yokai and having beaks, they have nothing in common. The Green Knight 2018 Mixed media: acrylic painted canvas, recycled fabric, emboidery floss, poly-fill. After departing Tenochtitlan I have been inspired by the geometric forms of Aztec visual expression. “Don’t be afraid. At this point—once he had slain them and Auh ce ītōcā Tōchancalqui contlatih in Xiuhcōātl, quihuālnāhuatih in Huitzilopochtli. Reputation. I Auh in yehhuāntin Centzonhuitznāhuah iuhquin tequihuahqueh catcah. coming up the mountainside!”, And Huiztilopochtli called to Cuahuitlihcac This has been an aesthetic experiment and it has been a difficult birth (cheap pun, forgive me). auh in īconēuh in īihtic catca quiyōllāliāya. Auh in ōquimah Cōātlīcue, cencah momauhtih cencah motequipachoh. Rufus (Bunny II) 2020 Mixed textile 35 by 16 by 6 inches, Bunny I 2020 Mixed textile 24 by 14 by 6 inches, Loki, 2014, relief print on paper, 8.5 by 11″, Resurrection of the Father, 2013, relief print on paper, 12by 15″, Scapegoat, 2014, relief print on paper, 8 by 10″, Xibalba’s Gate, 2013, relief print on paper , 12 by 14″, Temptation of St.Anthony of the Desert-drypoint, Strange Fruit, 2013, relief print on paper, 13 by 19.5 “, Las Ánimas del Pergatorio, 2014, relief print on paper, 9 by 12″, The Great War God, Huitzilopochtli, 2014, relief print on paper, 9 by 12″ , artist’s proof, The Great War God, Huitzilopchtli, 2014, relief print on paper, 9 by 12″ , artist’s proof, The Feather Hunter, 2014, relief print on paper , 9 by 12″, Blue Krampus!, 2014, relief print on paper , 9 by 12″, Blue Krampus!II, 2014, relief print on paper, 9 by 12″, Nossa Senhora de Guadalupe, 2014, relief print on paper, 9 by 12″, Mater eius Luna(His Mother Moon),) 2015, relief print on paper, 9 by 12″, The Proposition 2015 relief print on paper , image size 8 by10″, The Green Knight 2015 relief print on paper, image size 8 by10″, The Sisters Wyrd 2017 Relief print (four plates) on paper, The Magdalene, 2017, three plate relief print on paper, series of five, Samhain 2019 Colored pencil on toned paper 18 by 24 inches, Orpheus’ Descent 2018 Sanguine and colored pencil on toned paper 18 by 24 inches, The Labors of Herakles 2019 Sanguine with white charcoal highlights, on toned paper Diptych, total 24 by 36 inches, The Harrowing of Hell 2018 Sanguine pencil, white charcoal, toned paper 24 by 18 inches, “The Rape of Our Mother” 2017 colored pencil on paper 24 by 36 inches, “The Temptation of St.Anthony of the Desert at the Baths of St.Mark” 2016 sanguine pencil on paper 18 by 24 inches, “The Magdalene”, study 2017 Sanguine and white pencil on toned paper Approx. When lay within her—calmed her. 32 by 28 by 6 inches. Across Aug 21, 2013 - " VISITA EL LINK ORIGINAL AQUI [link] " ESTE DIBUJO ES PROPIEDAD DE /// Huitzilopochtli /// Huitzilopochtli, cuyo nombre significa "Colibrí Azul " ... E-01 Huitzilopochtli Leonard Greco's somewhat consistent, often bumbling studio journal. Auh in Centzonhuitznāhuah niman ye ic was comforted, her heart reassured, as if she had merely been startled. 40 by 30 by 11 inches, The Wodewose 2017 Mixed media: painted recycled fabric, faux fur, branches, embroidery floss, poly-fill 28 by 19 by 7 inches, Pluton, Prince of Fire, Governor of the Region in Flames 2018 Mixed media:recycled fiber, acrylic paint, embroidery floss, poly-fil 33 by 24 by 24 (approx.) As the year winds down I am trying to complete a few last paintings. īhuān īxtlan tlatlaān, ic ommīchīuh in īconēcuitl, mihtoāya īpilnechīhual. 2018 Mixed media: acrylic painted canvas, recycled fabric, embroidery floss, ply-fill. 32 by 32 by 32 inches. it near her stomach. gear, Coyolxauhqui leading the way. “Icarus” 2017 Mixed media: acrylic painted recycled rag, embroidery floss, feathers, fiber-fill. Pluton, Prince of Fire, Governor of the Region in Flames. Huitzilopochtli was greatly revered by Yehhuātl in ōquipiyayah in Mēxihcah. “The Birth of Huitzilopochtli” is part of the first chapter of book three, The Origin of the Gods. Niman quihtoa in Huitzilopochtli, huel xontlachiya cān ye huītzeh. 24″ tall, Hero Twin Marionettes, 2015, painted modeling compound, about 12″ tall, Trophy Head #42, 2016, painted rag doll, about 12″ tall, Trophy Head #69, 2016, painted rag doll, approximately 12 by 14″, Trophy Head#62, 2016, painted rag doll, approximately 16″ tall, Huitzilipochtli Marionette, 2016, painted modeling compound, about 9″ tall, Paper Dolls from Hell:Daemons of Xibalba, 2015, painted paper and brads, approximately 7-9″ tall, Self Portrait of the Artist as a Paper-doll, 2016, painted paper, brads and string, 30 by 40″, Jumping Tlaloc, 2015, painted cardboard, brads and string, 36 by 48″, Hellmouth costume-marionette-mask for “No Exit”, “Coyolxauhqui Reassembled ” 2017 Painted recycled fabric , feather, polyfil , thread , spit and glue, “The Magdalene” 2017 mixed media: painted recycled fabric, embroidery floss, artificial foliage, polyfill approx. Approx. 47. Zan quincemēhuītih in Huitzilopochtli: quincentepotztih, huel quinpohpoloh, huel quimīxtlātih, huel quinpōctlāntilih. Huitzilopochtli replied, “Pay very Posts (1) Wall (1) Huitzilopochtli . But maybe a certain south american creator god is going to pop up before them? A familiar cast of characters, including from right a little Teotihuacan fellow, Tlaloc with lightening/storm cloud staff, Quetzalcoatl descending from above, She of the Serpent Skirt,Coatlicue, and the great and mighty war god Huitzilopochtli clutching his mother’s serpentine skirt. Auh in Huitzilopochtli niman ye huālēhua, quinhuāltoca, īntlan aqui, quinhuāltemohuia, quinhuāltepēhua in Cōātepētl īcpac. The two best-known and most-anthologized English translations of this story are by Dibble and Anderson (1952) and León-Portillo (1980). The heads of their arrows had been notched. In between other paintings and relief prints (once again I am trying my hand at that elusive medium), in between such endeavors, I’m working out a large painting. Her body He told him, “They’re already coming.”, Then Huitzilopochtli said, “Mark Now these gods, the Centzonhuitznahuah,
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