Listen free to Brian Eno & David Byrne – My Life in the Bush of Ghosts (America Is Waiting, Mea Culpa and more). Genres: Experimental Rock, Art Rock. Blasphemy is beside the point: Byrne and Eno have trivialized the event. Use of this site constitutes acceptance of our. Released in February 1981 on Sire (catalog no. My Life in the Bush of Ghosts is an undeniably awesome feat of tape editing and rhythmic ingenuity. Sign up for our newsletter. When they don’t succumb to exoticism or cuteness — luckily, that’s most of the album — the Byrne-Eno backups are fascinating, complementing the sources without absorbing them. But messing with music is a more dubious proposition. 11 tracks (39:48). Consider, for example, one of the key figures of the novel: the “television-handed ghostess,” who convinces the narrator to follow the sorcerers’ advice and lick his open wound—by opening her hands and revealing TV screens on her palms showing footage of the narrator’s family and home village. Acquista l'album a 9,99 €. A pseudodocument, it teases us by being “real.” Even more annoying is “The Jezebel Spirit,” which utilizes a recorded exorcism. Tutuola's command of the language enabled him to modify his writing style to describe the external world and events in an authentic voice of youth and naivety. Marshall McLuhan would have loved the concept: sample the global media blitz, edit, add polyethnic rhythm tracks, name the results after a novel by Nigerian author Amos Tutuola and recycle them into the blitz. It is titled after Amos Tutuola's 1954 novel of the same name. Barcode and Other Identifiers Barcode: 075597983555; Matrix / Runout (Side A [Etched]): 1-79894-A -18430-Matrix / Runout (Side B [Etched]): 1-79894-B -18430-Matrix / Runout (Side C [Etched]): 1-79894-C -18431- Matrix / Runout (Side D [Etched]): 1-79894-D -18431-Other Versions (5 of 94) View All. The book, Tutuola’s second, tells the story of a west African child who is forced for 24 years to navigate an incomprehensible wilderness filled with fantastical beings, most of whom are, as the title suggests, some form of ghost. My Life in the Bush of Ghosts, an Album by Brian Eno-David Byrne. But, like most “found” art, it raises stubborn questions about context, manipulation and cultural imperialism. Sign up to receive the top stories you need to know now on politics, health and more, © 2020 TIME USA, LLC. Does this global village have two-way traffic? Byrne and Eno latch onto the rhythm of the exorcist’s dry laugh for the backup, but they fade out before we find out what happened to the possessed woman — which would have been a lot more interesting than the chattery band track. My Life in the Bush of Ghosts is a novel by Nigerian writer Amos Tutuola, published in 1954. The title of the 1981 album My Life in the Bush of Ghosts by David Byrne and Brian Eno was taken from this novel. In 1954, the Nigerian writer Amos Tutuola published My Life in the Bush of Ghosts, uniquely synthesizing the Yoruba culture he was born into with that of the British and Christian colonialism under which he matured into adulthood. Or if Lebanese singer Dunya Yusin craved a backbeat, she could have found one (Byrne and Eno’s “Regiment” sounds like something from the Midnight Express soundtrack). Tutuola would go on to inspire Talking Heads frontman David Byrne and superproducer Brian Eno to record a 1981 album by the same title as this book; it’s a testament to his impact, as arguably the first international artist to form a new language by sampling the folk traditions of the global south and the modern imagery of the industrialized West. After he and his elder brother are abandoned by his family, they flee as armed slave traders approach their village. David Byrne and Brian Eno pile up riffs and cross-rhythms to build drama, yet they keep the cuts uncluttered and mysterious.

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