Alexander Borodin, 1833-1887 String Quartet No. The subordinate theme retains the frantic pace of the principal theme, to be contrasted with a more relaxed closing theme, based on the motifs of the subordinate theme, at measure 177. 2 in D Major, 2nd movement (in HD Quality), String Quartet No. Violin | Cello | sheet music. It was written when he was in his late forties and at exactly the period when finding time for music was becoming nigh on impossible. This page lists all recordings of String Quartet No. This page lists all recordings of String Quartet No. The transition begins in measure 35, and quickly leads into the subordinate theme (measure 44) in A-Major, a dominant. The subordinate theme has a complex structure, a three-part form of its own (a-b-a'), which leads into the closing theme in measure 86 (Animato), which concludes the exposition in measure 107. The Borodin Quartet in both its incarnations have specialized in this work, producing fine recordings of it. Allegro moderato in D major and 2/2 time, with 304 bars;; Scherzo.Allegro in F major and 3/4 time, with 299 bars;; Notturno (Nocturne): Andante in A major and 3/4 time, with 180 bars;; Finale: Andante — Vivace in D major and 2/4 time, with 671 bars. 2, 3rd Movement, Notturno: String Quartet no.
\version "2.14.2" \relative c { \key f \major \time 3/4 \set Timing.beamExceptions = #'() \set Score.tempoHideNote = ##t \tempo 4 = 240 f8->( e d c d c) f->( e d c d c) a'->( g f e f e) a->( g f e f e) d'->( c) c( a f a) bes->( a) a( f d f) a->( g) g( e c e) f->( d) c( d c d) } When the movement reaches its subordinate theme (measure 29), it turns out that the accompanying falling motive of viola, having been inverted, becomes the gorgeous "rising thirds" motive of the subordinate theme. 2 in D Major, 1881. The "String Quartet No. After some contrapuntal work, the development reaches a dominant pedal point (measure 167), which resolves in the main key of the piece, D-Major, in the recapitulation in measure 180. The Borodin Quartet in both its incarnations have specialized in this work, producing recordings of it. Written in a conventional sonata form, it opens with an introduction, which introduces the principal theme, broken into two elements: a dialogue between two violins, answered by a viola and cello. Simply send us Choose the level of Membership that's right for you. The first movement is one of the most perfect examples of Borodin's lyrical (as opposed to dramatic) treatment of the sonata form. 2: 3rd Movement (Notturno) (Nocturne) by Alexander Porfiryevich Borodin (1833-87). The development (beginning in measure 108) begins with the same material as the exposition, except the cello is in the low register, and the key is changed from D major to F major. As Platinum PLUS Download Access for your Private Students. Type: Borodin*, Borodin String Quartet: Borodin*, Borodin String Quartet - String Quartet No. The String Quartet No. Finale: Andante — Vivace in D major and 2/4 time, with 671 bars. Genre: Weddings Written in a conventional sonata form, it opens with an introduction, which introduces the principal theme, broken into two elements--a dialogue between two violins, answered by a viola and cello. If you are a Platinum Member you can request music transpositions. (The external links give a more complete tale but conflict on the date.). This page was last edited on 18 July 2019, at 22:50. The principal theme of the exposition begins in measure one, with a cello singing a lyrical melody in high register. 2 in D Musically speaking, the time of the String Quartet No. The principal theme of this movement (descending scale-based figure of the first violin, accompanied by a falling motive in a viola) reminds one of Mendelssohn's scherzi. This is characteristic for Borodin, who used the same movement scheme (scherzo as a second movement) in his Second Symphony. The first movement is written in a sonata form. Of note is also the appearance of a scherzo as the second movement in a sonata cycle, rather than the more customary third movement. Borodin wrote the string quartet quickly in 1881 while staying at the estate of his friend, the minor composer Nikolai Lodyzhensky, which was located in Zhitovo, southeast of Moscow. 2 In D (LP, Album, Club) World Record Club, His Master's Voice: R10694, OASD-4100: Australia: 1984: Sell This Version Of note is also the appearance of a scherzo as the second movement in a sonata cycle, rather than the more customary third movement. The three-part structure of the subordinate theme, though, allows Borodin to reach the expected D major in the a' part of the subordinate theme (measure 257), and the closing theme (measure 266) concludes the movement. Original: Composed by: Alexander Porfiryevich Borodin (1833 to 1887). Alexander Borodin was, like many of his now famous Russian composer friends, a composer by avocation; he had a day job. The main theme of the third movement Nocturne, performed in string orchestra arrangements and perhaps the most famous in the quartet, also appears in the musical Kismet, as And This is My Beloved. Excerpt of the piece played in the first episode of Star Trek: Discovery, Learn how and when to remove these template messages, personal reflection, personal essay, or argumentative essay, Learn how and when to remove this template message, International Music Score Library Project, List of compositions by Alexander Borodin, Category:Compositions by Alexander Borodin, https://en.wikipedia.org/w/index.php?title=String_Quartet_No._2_(Borodin)&oldid=906883349, Articles with dead external links from June 2018, Articles with permanently dead external links, Wikipedia articles with style issues from July 2014, Articles needing additional references from July 2014, All articles needing additional references, Articles with multiple maintenance issues, Articles with International Music Score Library Project links, Creative Commons Attribution-ShareAlike License. 2, 3rd Movement: 3 Violins, Cello. The "rising thirds" motif of the subordinate theme (measure 29) is an inversion of the viola's accompanying falling motif. [1] 1881, the year of its composition, also saw the composition of the symphonic poem In the Steppes of Central Asia; the quartet premiered in that year or the next. The three-part structure of the subordinate theme, though, allows Borodin to reach the expected D-major in the a' part of the subordinate theme (measure 257), and the closing theme (measure 266) concludes the movement. The development starts just as the exposition--with the question-answer dialogue, except the question now is in lower strings, and the answer in violins. The recapitulation follows the broad outlines of the exposition, except the subordinate theme (measure 224) begins in E-flat major instead of the customary D major. 2 in D Major, 4th movement (in HD Quality), International Music Score Library Project, https://infogalactic.com/w/index.php?title=String_Quartet_No._2_(Borodin)&oldid=333040, Wikipedia articles needing style editing from July 2014, Articles needing additional references from July 2014, All articles needing additional references, Creative Commons Attribution-ShareAlike License, About Infogalactic: the planetary knowledge core.
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